Quote:
Originally posted by Oblivion437:
I don't much care about Moore the man. My point of contention is, and has always been about his work, and his defense of it. It would be a hasty generalization to assume that Moore's most rabid critics are all right wing. I note that a few of his critics are at least somewhat liberal in leaning (critics I personally know) and are hardly right wing. That he's managed to make himself into a pompous, lying asshole hardly require I think anything on the matter.
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Incredibly annoying semantic nitpicking aside (I don't believe I ever claimed that Moore critics can't be liberal, but whatever), there are always exceptions to the rule. In fact, here's a positive review from a conservative.
http://civilliberty.about.com/gi/dyn...renheit911.htm
Fahrenheit
9/11
As a Conservative, my advice? See it.
Review by Laura Dawn Lewis
The line stretched beyond the building as we all, having reserved our tickets on Fandango waited patiently, discussing what we were about to see. Like many, I tried to go Friday, but the film in Portland, Oregon was already sold out through Saturday.
The facts and footage in Fahrenheit 9-11, cannot be discredited. The neocons may not like the editing, which is purposeful, but editing does not make this propaganda.
Glancing at the crowd attending in Hillsboro, a conservative salt-of-the-earth company town, the companies being Intel and Agriculture. Nary a Birkenstock or bag of granola in sight, I listened to the conversations around me. I heard frustration, curiosity and anticipation. As each of us looked at the length of the line, we all realized, we were not alone in our doubts, concerns or perceptions, an empowering realization.
Behind me a Muslim family, mother, father and teenage daughter chatted quietly. The young woman graced with an enchanting smile and excited eyes debated current events with her parents. As I listened to their conversation I noted how well versed they all were in our Constitution, government process and current events, though this didn't surprise me. Most immigrants know more about our country, its policies and guidelines than college graduates. Ahead of us a few people, two more teenage girls with their father also debating, paused laughing briefly as a woman with a robotic talking head Bush passed. Beside me my own father and I discussed the issues. Those of us waiting for forty minutes outside confirmed, the movie is a family affair.
We standing in line represented republicans, democrats and independents, liberals, conservatives and moderates, not the monolithic crowd of "Bush haters" the last gasp of the neocons engendered us to be. Those waiting included conservative non-evangelical Christians like myself, Muslims, Jews, progressive Christians and no doubt atheists and agnostics. Together we embraced a commonality: we are Americans, we love our country and we want to understand what is happening. I bring this up because one of the tools implemented to dissuade attendance states conservative will not go to this movie. Not only did I and several friends fitting this description go, we found the film entertaining, factual and quite sobering. In fact, we liked it.
Revelations
I knew much of the information presented, having covered this issue and the propaganda components getting us into this mess. Though there were a few surprises.
I did not know on inauguration day, raw eggs pelted Bush's limousine. Personally I consider this disrespectful; less tantrum-oriented means for displaying dissatisfaction prove eminently more effective.
I knew Bush took a month-long vacation in August 2001. I didn't know in the first nine months of his administration he spent 40% of his time on vacation. Forty percent, who starts a new job and spends 40% on vacation? Most people work overtime to prove themselves! What was he resting up for?
I did not know the primary source of funding for GW's business enterprises came through the man also cited for being AWOL with Bush, James R. Bath. His contribution to the Bush family's wealth centers around his liaison activities with the Bushes, the Bin Ladens, and the Saudis. Moore shows the current administrations attempt to conceal this fact.
Most disturbing, I did not realize Bush knew BEFORE reading to the children the first plane had hit the first tower; why didn't he put off speaking with the children for fifteen to twenty minutes in order to look into the situation as any leader would do? He is the president. The children would have waited. Planes do not hit the key financial district every day. One would think he'd want to be briefed immediately on deaths and the ability to conduct a rescue, whether the stock market was affected; given the telecom infrastructure housed in the twin towers, such a disruption to the telecom grid could grind New York to a halt, not to mention the multiple international companies residing there. Wouldn't he want to be on the phone with other leaders to address their fears about their own people? His actions do not make sense. TOP
I did not realize the extent of corruption in the contracts to rebuild Iraq, where taxpayers pay for a million dollar job and it is subcontracted out for $50,000, giving the contractor a $950,000 profit at our expense! Meanwhile, Bush cut the $75.00 a month 'immanent danger" pay for serving soldiers and the "$150.00" per month family separation allowance for our soldiers' families here. It seems the American people support our soldiers. The Administration uses them, (though a four letter f-word seems more appropriate here).
To save further money, Bush's policies charged our wounded soldiers in Fort Stewart, Georgia $8.00 a day for food…protests reversed this but to date, the administration has cut $3 Billion from the VA Hospital budget despite the fact we are at war and casualties are nearing 12,000. Over 40,000 cash-strapped families had to buy their own body armor for their serving soldiers. Meanwhile the film points out, hired mercenaries are making $8,000-$12,000 a month in Iraq, most at US taxpayer expense, directly and indirectly.
Gore Vidal's new book Imperial America: Reflections on the United States of Amnesia covers this in detail, as does our own Frontlines & Homefronts marquee expert, Col. David Hackworth, (ret).
Fahrenheit 9/11 is satire mixed with facts. It is this satire the neocon pundits take issue with in an effort to discredit it as propaganda. The satire is obvious and not veiled. For it to be propaganda, you cannot know you are being led. You know. The facts are quantifiable and verifiable. The film editing does coax the viewer to specific conclusions, however there is no attempt to hide this or cover that fact. It's persuasion, not propaganda. Weapons of Mass Destruction, freeing the Iraqi people, we're hated for our "freedom", persecuting persons against the war, minimizing the Patriot Act, (which Moore shows Congress didn’t even bother to read before ratifying, by a legislature's own admission!), misleading the American public that the majority of us were in favor of this war, when the newspapers were receiving 70% of their letters against it and purposely printed the majority of those for…these constitute propaganda. TOP
Dr. Nancy Snow's Book " Information War: American Propaganda, Free Speech, and Opinion Control Since 9/11" goes into this in detail: How Op-eds and Letters to the Editor were used to bolster support and give the illusion of acceptance when the majority of Americans were against it.
The facts and footage in Fahrenheit 9/11, cannot be discredited. The neocons may not like the editing, which is purposeful, but editing does not make this propaganda. It makes it opinion. Since the facts and news footage cannot be discredited, the option left? Attack the messenger and the moviegoers, classic characterization. Try to paint those attending to be outside of the American bandwagon (fanatical), rather than people like you and me. There is a reason the neocons do not want you to see this movie. It exposes the corruption, false premise and propaganda that first divided this country and stoked the fires of fear in order to enable a war against a tactic, which can never be won. With the movie, the emperor Bush and his loyal subjects lose their clothes. And the sight of them isn't pretty.
Divided We Fall: Liberals vs Conservatives
Michael Moore is a liberal filmmaker. Obviously as a true conservative, (Neocons are not conservatives. Rather they are Trotskyites in Republican clothing), I disagree with many of his positions and had issues with his previous film " Bowling for Columbine" more on tactic than fact; but I admire his compassion for the less fortunate in our society and he makes many good points. His opinion is worth hearing and considering. TOP
What is the difference between a conservative and a liberal? Consistently I am amazed by how few people know. Our philosophies clash in solving problems like poverty, unemployment and oppression. Socialists and liberals believe the federal, and to a lesser extent the state government should solve these. Conservatives like myself believe in personal accountability and self-actualization, that government's only job is to defend our borders, preserve our collective resources and secure infrastructure, with minimal control or interference by legislative bodies. Small government, decentralized power, few laws versus big government, many laws and centralized power. Conservatives believe social programs should be administered locally either by the local government, corporate citizenship or preferably by non-profits. Liberals believe these programs are better administered by the government.
These are the basics, nothing overly drastic or evil, as we increasingly being led to believe of each other. Very few, including Moore are "Left Wing radicals" or as he's accused, Pat Buchanan, "Right Wing Radicals". Both men are not radical. They are painted as such to discredit them by those seeking to rule us rather than lead. Both are worth listening to. The division between ideologies now commanding our airways is purposeful. As long as we are fighting each other, we fail to confront our joint problems. This movie brings us back together and further points this out. This is also what makes it dangerous to the status quo and those in power. It causes Americans to think.
Conservative or liberal we share a common respect for the Constitution and an abhorrence with the neocons who advocate complete government control via imperialism, a ruling elite as in the days of serfdom, destruction of the Constitution and global domination. Currently, these are the people in power in the United States and they've done a terrific job of dividing this country into liberals and conservatives, right wing and left wing (it's always about extremes) destroying our rights and raising the fortunes of those attached to the Military Industrial Complex Eisenhower warned us of so many years ago. As long as our two sides fail to speak to each other or minimize the other's point of view, the neocons maintain power.
This movie shows the American people our need to come together and crawl out from under the thumb press of an elite, greed driven few destroying our country from within. As this is clear in the movie, it is no wonder those in power do not want you to see it
By far the most powerful segment in the movie involves a Flint Michigan family, though I've forgotten how to spell their last name. The mother, a true patriot and American encouraged her children to enter the military. Her son dies in a Blackhawk crash and as she reads his final letter, she realizes he, and now she believe his death was for nothing noble and everything corrupt. The raw anguish she experiences upon the realization of the magnitude of deception propagated on the American people, tears at your heart. Yet a heartless woman passes her in front of the White House, publicly insulting her for her pain! Such callous disregard illustrates the level of hatred now embedded within Americans needing justification, despite facts to the contrary. Hate toward our own and lack of empathy is a by-product of a nation divided. TOP
This movie changes the dynamics of separation between competing ideologies, which is why the neocons are endeavoring to discredit it and prevent conservatives from seeing it. Upon the credits rolling, the audience burst into applause. We were, liberals, moderates and conservatives, indeed united.
The Flaws
The film is not perfect. My issues surrounded the Saudi Royal Family and I caught myself rolling my eyes with the satire. To me this segment was over the top and rather deceptive. In four years of research now, the Saudis, though quite corrupt, do not play into the current Middle East crisis as we have manufactured it. They are a problem, but they are the problem of the Saudi people, not America, though the neocons are trying to convince Americans otherwise. They do hold the largest oil reserves, so the reward is high. The Royal family tends to be rather hedonistic and currently it is trying to hang onto power. They've got too many affronts to their lifestyle to worry about Iraq and the rest. Moore dislikes ostentatious displays of wealth with a disgust for those who do not take care of their own., As the Saudi people suffer while their ruling family parties, his affinity for the common man likely spurned this segment. Based upon my knowledge, nothing else makes sense.
If there is a portion of the film I could point at and say, "Yes, this looks like propaganda", the Saudi segment suffices. I have not encountered facts to substantiate Moore's hypothesis, but I could be wrong. They may be out there and I just haven't run across them. The Bush family has conducted and benefited from billions of dollars in business with the Saudis. Saudi Arabia invests a lot in this country as we theirs. The ties to the bin Laden family are unnerving, but for a family grounded in oil, this is not unusual. I thought the attention paid to this, excessive and somewhat deceptive. The Saudi segment felt like a personal vendetta. TOP
The absence of the report taking us to war with its 8,000 missing pages, a critical element forcing our involvement did not make the film. This omission I found interesting. Much of 9-11 points to involvement by a sovereignty in the Middle East, but extensive research shows this sovereignty and the reason for the 8,000 missing pages is not Saudi Arabia, Iran, Afghanistan or Iraq. Unfortunately the evidence also increasingly points foreknowledge in the US.
Likewise, Moore substantiated a huge pet peeve of mine further perpetuating the urban legend: Bin Laden was behind 9-11, though no conclusive evidence exists for this.
This mantra through consistent recitation emerged as fact in the US; facts however, do not support it. The only link, the "bin Laden tape" was discredited by a number of intelligence agencies in Europe nearly 2 years ago. Al Qaeda still has not claimed responsibility for the Super Bowl of terrorism, the first and only time they have not claimed responsibility for that they were accused of. As Zinni, Clarke, Clancy and others have pointed out and the foreign press confirms, we still don't know who the hijackers were. No manifests contain the names and those that were identified, eight used fake ID's; this has been confirmed. Logic states the rest would use false papers as well. This was front-page news in Europe and the rest of the world. Furthermore, the accents are questionable heard over the radio frequencies, much like an American faking a British accent. A Brit would hear the discrepancies. An American would not. Native Arabic speakers have commented to me on several occasions, though speaking Arabic, accents are off and the inflections construed.
Obviously, an entire book is required to examine all of the inconsistencies and sources regarding 9-11 and the hijackings. The fact is, the bodies and ID's, if any, burned up, with the exception of Atta's found in pristine condition a few blocks away from the towers and the convenience of his luggage at the airport, kind of like finding that van in perfect condition in Spain, damningly convenient and fishy. TOP
The other element missing is the Israeli connections: The PNAC report, JINSA, Cheney's disclosures to Sharon in March 2002 stating our invasion of Iraq would be for Israel, Israeli corporate, military, government and Mossad activities, though to include these probably would have shelved the film as "anti-Semitic". Moore did bring Israel up at a town meeting and was immediately labeled "anti-Semitic" by a neocon, telling me the absence of Israel was a strategic decision in marketing the film. Better to get three-quarters of the truth out than have the film shelved for telling it in its entirety.
But its absence is glaring. Israel is the white elephant marching throughout the film, ignored. Congress is currently trying to pass laws (HR 4230) making it a hate crime to criticize Israel or associate it with nefarious activities, and stem educational study and debate not approved by Israel in the United States (HR 3077). Last week our congress violated numerous international laws and conventions, nullifying the United Nations with S-460, endorsing Sharon's conquest of the West Bank, something not theirs to give, while placing Americans, military, civilians and corporations in eminent danger worldwide and adding fuel to the reasons terrorism exists while insuring the US has no credibility in the Middle East. With out a doubt our congress is acting in our best interests and is in no way the proxy of a foreign government. That is satire, by the way.
Seymour Hirsh's article in June 28, 2004 issue of The New Yorker this week goes into detail of Israel's latest double-cross, training and arming the Kurds north of Iraq and destabilizing Iran to our military's detriment. Justin Raimondo takes off the blinders and delves into the consequences further. There is no way Moore could have obtained the body of research the film presents without uncovering our ally's activities, objectives and contributions. These scream from the research once the surface obfuscations are scratched. Their fingerprints are everywhere and impossible to ignore.
Going forward
Expect the shrillness of the neocons and their pundits to increase in pitch over the coming weeks, like the archangel disintegrating in a wall of flames, due to the impact of this movie. Of course one irony I found rather amusing. FOX News, in its desperation to justify attacking Iraq continues to attempt to tie Al Qaeda to Saddam by the thinnest of threads, insinuating that simply meeting, writing or speaking to each other proves collaboration therefore justifying invasion. Moore's movie kills that one. You see, our own President met with Taliban officials a few months before September 11th and toured them through a Unocal plant as Moore documents. So according to FOX News' logic, our government is a terrorist government since we met and collaborated with known terrorists on our soil. After all, with FOX's logic, our president has ties to the Taliban. Of course this from a network that consistently brings on experts from World Net Daily, a neocon publication basing its Middle East history on the Joan Peters' book, " From Time Immemorial: The Origins of the Arab-Jewish Conflict over Palestine". A book discredited nearly twenty years ago world wide, including in Israel, as pure fiction, racist and propaganda. One must consider the source. TOP
Bottom line.
The main message of this film is America has a huge problem and this problem is not just the White House; it is the Senate and House as well including both Democrats and Republicans. The Senate and the House abdicated their responsibility to the American people by giving up their Constitutional mandate as the only arm of the US Government empowered to declare war. They shunned their responsibility to protect and defend the US Constitution by allowing ratification of the Patriot Act, the broadest destruction of constitutional rights ever presented without even reading it. They failed to protect the American people by holding the current office of the Presidency responsible and accountable for its actions. (The False Statement Statute Title 18, Section 1001 provides for a 5-year prison term for any government official caught lying, falsifying or concealing information from the American people while in office. Congress could prosecute our President based upon this statute, but they would also have to prosecute the majority of their members as well.) In essence, our government bodies declared war on the American people, consistently keeping us in a state of manufactured terror built on lies. Moore's film makes it clear that if Americans want the America our travel brochures and PR pretend we have, the American people are the only ones who can hold our leaders, all of them responsible. We can only do that through education and getting involved. In the end, reversing this is up to US.
If you're an American who cares about where this country is going and are disturbed by our present course, you owe it to yourself to see Fahrenheit 9/11. You may not like the opinions, the satire or tactics, but the facts speak for themselves. This is not a movie for Liberals, Bush haters or peace activists. This is not a left-wing or right wing tirade. It is a dose of the reality we do not like to admit. Fahrenheit 9/11 is a movie for Americans, all Americans who care about their country and where it is heading and want the corruption, lies and hate to end.
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And I'm not sure if Newsweek's Isikoff's harsh criticism to Fahrenheit 9/11 had already been posted (somehow I'd be surprised if it wasn't), but you can find a point by point retortion
here.
[ 07-08-2004, 04:11 AM: Message edited by: Grojlach ]